Green Man and the High Priestess

 

 

 Green Man
and
the High Priestess

Original painting by
J.G. Bertrand

Poetry by
Becca Tzigany
(see below)

Artists' Notes
Mythology Notes

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 GREEN MAN AND THE HIGH PRIESTESS
by Becca Tzigany

 

In the cool of the fernwood
In the wisdom shade
Rustlings of the Nature Spirits
Mingle in the glade

With Demeter's sigh, the wind
Cries for her children lost
"How I fed them, bodies and souls,"
She laments, "They forgot"

"They'll hear us, they'll remember"
Declares the Goddess of Love
The top boughs of the greenwood
Echo cooing of the doves.

Flash of antler -
Crackling branch -
A voice deep and clear
Rumbles through the mountains
"I am here!
..I am here!"

Lady of Earth's Creatures
Sniffs the air and knows
"It's the King of the Wildwood!"
She lays her hand upon her bow

From her silver moon bow
Fly arrows of pure intent
She protects the virgin forest
As Creation immanent

Fresh breeze -
Dancing leaves -
Rooted deep -
Touching sky -
Green Man roars, "Ho there,
...Earth goddesses!
Here am I!
Here am I!"

As the sun set on the feasting
Of the first day of May
A High Priestess walked alone
Into the forest to pray

She feared her world was dying
But what could she do?
She closed her eyes and listened
Where primeval redwoods grew

The goddesses were there, of course
And spoke into her dream
"Melissa! Veil-winged daughter!
Life insists. It does not flee.
This Truth, a magical honey,
Gives immortality.
Life stings. Life is sweet.
But it shall always be!"

The message that they gave her
To give to humankind
Took wing a million directions
To become bee-mind

And Green Man, that merry trickster,
When he draws the bees near,
Rolls his voice like thunder
..................."I am here!
.....................I am here!"
Forever through the Spiritwood
..................."I am here!
.....................I am here!"

 

Artists' Notes

 GREEN MAN AND THE HIGH PRIESTESS
51x42"
Photo: Bertrand

James: Green Man was unknown to me until I met Dr. Bob Chianese during our promo trip to California in the winter of 2001-2002. Not only does Bob teach the subject, he also seems a living embodiment - so much so, I asked if he would pose for a painting. Here it is. I used the very informative The Quest for Green Man by John Matthews to inspire the image. Green Man's face is patterned after a painting by Jane Brideson [The Quest for Green Man, p. 93], though I added the antlers to indicate his relationship to the pagan Stag God.
.......My partner Becca's influence becomes critical once again as she brings to life for these times Melissa and the goddess scenario in the foreground. More than ever before, Becca has been researching the paintings, sometimes for weeks, before I paint them, to help ascertain their meaning and content. The four women figures are from a photo shoot that had come to an end (see "Midwifing the Goddess"); as they relaxed together, they looked so at home and beautiful that . . . - click ! - It was my final shot of the session. I thought the women would make a wonderful foreground for Green Man, and Becca's ideas brought them to life. Once she figured out who they were, she advised me on their colors, totem animals, and other details. Demeter/Ceres (Earth Mother, goddess of grain and agriculture) is the golden color of grain and wears a staff of wheat as a headband. Artemis/Diana (Moon Goddess, Protector of the Animals, divine huntress) is painted in the colors of skin (animal and human). Melissa (Goddess of the Bees) is the amber color of honey (in fact, the color of chestnut honey from our Tuscan mountain home) and wears jewelry in yellow and black to denote the bees. Aphrodite/Venus (Goddess of Love) appears in green with purple hair (a favorite combination of mine for her) - her traditional green fits well with the woodland scene. The forest is full of life, and some of the forest creatures appear: a squirrel, an owl (with Celtic and goddess associations), deer (for Green Man, Artemis, and Venus/venison associations), doves (for Aphrodite), and a bear (for Artemis) occupied with the bees (for Melissa).
.......Becca and I had an intricate forest scene in mind, but as I studied the blank canvas, I kept seeing massive trunks of redwoods for the background. So there they are.
.......I'm amazed at the depth of Green Man's story and influences. The fact that our Earth is being torn asunder makes becoming conscious of this timeless archetype more important than ever.


Becca:
In this poem, Nature speaks through ancient European deities. Demeter, the Mother archetype, cries for her children of the Earth for whom she has selflessly given physical and spiritual sustenance ( "fed them, bodies and souls" with grain and the Eleusinian Mysteries). Unlike Persephone, however, these children have forgotten her gifts. Aphrodite affirms that Love will triumph, even for the derelict earth stewards. When Green Man appears, Artemis is the first one to recognize him. Like a deer, she catches the whiff of him on the air. Artemis, the Moon Goddess and Virgin archetype, protects the forest with her intent, clear and "silver" like the moon. It is into this meeting of Nature spirits that the High Priestess wanders. The High Priestess represents the spiritual seeker who earnestly worries about the environment and the fate of the Earth. In observance of the pagan holiday, May Day, she prays. She listens. She dreams. The deities recognize the Higher Self of the Priestess as Melissa - the Goddess of the Bees. Since the High Priestess is a meditator, she can connect with the collective consciousness. The truths she realizes in this meeting will spread not only through humanity but through the bees.
.......Melissa has the central position in this piece, for without bees, there would be no pollination, no trees, no fruit, no forest, no animals. The bee is the symbol for the power of the Feminine in Nature. It nurtures, works cooperatively for the greater good, promotes fertility, and is always busy. The bee hive is a gynocracy, where all serve the Queen Bee. Melissa, personifying the bee, unites the realms of plants (Green Man, Demeter), animals (Artemis), and humans (Aphrodite). The bee also figures in the traditional mythology of these deities. It was only after naming the central character Melissa that I discovered that the melissae were the "bee priestesses" of Demeter, Artemis, and Aphrodite. Demeter was called "the pure Mother Bee". The bee was Artemis' emblem at her temple in Ephesus, where her priestesses were called bees (melissae) and her eunuch priests were called drones (essenes). Honey was believed to come from the celestial hive (the moon), which was surrounded by heavenly bees (the stars). As such, honey was considered a food of the gods and was associated with immortality and rebirth. At Aphrodite's honeycomb shrine at Mt. Eryx, a veil covered the entrance to the inner sanctum, which was ritually penetrated during sacred sexual ceremonies. The scientific classification of bees - hymenoptera (meaning "veil-winged") - originates with the goddess Hymen, the patroness of the wedding night and the "honey moon". Aphrodite's priestesses guided people in the arts of lovemaking at her temples and prepared them for the month of coupling - May, the "moon of honey". They also made "moon honey" nectar from honey and menstrual blood, one recipe for the ambrosia of the gods. Aphrodite's sacred number, 6, is based on the honeycomb, which is hexagonal in shape. Bees were considered to be the souls of Aphrodite's priestesses after death, and so were revered.
.......The other central character of this piece is Green Man. He is man, animal, and tree. The Stag God or "Horned One" is a primordial embodiment of male sexuality. Green Man, as the Spirit of Nature, reinforces basic Laws of Nature: Whether sweet or painful, Life always insists. No matter what ecological catastrophe we may bring upon ourselves and our planet, Life itself will endure.
.......I often evoke sounds in the poem. Compared to the din of urban existence, the forest may seem still, but actually it is humming with the sounds of life. If we listen deeply to these sounds - as the High Priestess does - we may hear goddesses "rustling", a mournful "sigh" in the wind, and Aphrodite's words as the "cooing of doves" (doves are her birds). Green Man is audibly present ("crackling", "rumbles", "roars", "thunder").
.......Although the rhyme and meter of this poem are somewhat variable, they mostly settle into anapestic dimeter. The narrative of the goddesses occurs in quatrains with lines of 5-8 syllables each, rhyming abcb. When Green Man appears or speaks, the rhythm changes. Shorter lines of 3-6 syllables rhyme abcdcc. The main message about Life's truths, delivered by the goddesses, also breaks the pattern. This long stanza rhymes abcbbbbb. Green Man's concluding envoi repeats his 3-syllable lines, like an echo through the forest.

§§ "Listening for Green Man" for Becca's encounters with this archetype
§§ "Crete and the End of Civilization" for our experiences at Eleusis
§§ ARTEMIS
§§ DEMETER
§§ GREEN MAN

_____________________________

Excerpted from The Pillow Book of Venus and Her Lover - Reinventing the Myth by Becca Tzigany and James Bertrand
© 2004 Copyrighted material

 

Mythology Notes


ARTEMIS
(Diana, Dione, Cynthia, Lucina) ...................................Greek/Roman

.......Artemis is one of the major Olympian deities, daughter of Zeus (Jupiter) and Leto (a Titaness), and twin sister of Apollo. Most likely pre-Hellenic, perhaps originating in Crete, she is known as a Moon Goddess. The Greeks and Romans turned to her for help in hunting, protection of the young, and support during childbirth, which are reflected in her titles: Divine Huntress, Lady of Wild Things, Lady of the Beasts or of Creatures, Mistress of the Woods, Lucina (Goddess of Childbirth, of Bringing to Light).
.......From birth she exhibits the powers of an immortal. The first-born of twins, Artemis immediately sets to aiding her mother Leto during her difficult nine-day labor to deliver Apollo. Thereafter, women prayed to the Divine Midwife to ease their pain. At the age of three, she climbs upon her father's knee and states what she wants: a silver bow and arrows, a pack of hunting dogs, a knee-length tunic that would allow her to run through the forest, the mountains and woodlands as her sacred places, eternal chastity, and attendant nymphs. Zeus, delighted, grants her wishes: "Little daughter, you shall have all you desire."
.......The bear is one of the goddess' totem animals, and Artemis is attended by the arktoi, her "she-bear" priestesses. She is associated with Ursa Major, the Great She-Bear in the sky and ruler of the axis mundi, Pole of the World. Artemis also shoots the hunter Orion with her arrow (some say inadvertently, others say to punish him), and then places him in the sky. The deer is another of her totem animals, and she is often depicted accompanied by a deer. In the myth of the hunter Actaeon, it is said that he stumbles upon the virgin goddess bathing in a stream. To prevent him from reporting on her nakedness, she changes him into stag, and his own hounds then chase him and tear him to pieces. This story may refer to ancient, pre-Hellenic rites in which the Stag King is pursued and killed at the end of his rule. The priestesses of Artemis would have performed this drama, part of which was the ritual bath of the goddess/priestesses. Later, during the time of classical Greece, Artemis' shrine at Ephesus is so magnificent, it is considered one of the Seven Wonders of the Ancient World.
.......Artemis is the archetype of the independent feminine spirit. She runs freely through the woods at night, guided by moonlight and her intuition, and confident in her unerring aim. At home in the wild, she needs no man to protect her. On the contrary, she is Divine Protectress of all Creatures. As a symbol of feminine competence, in modern times she has been championed by feminists as well as lesbians. Although our conceptualization of her focuses on her virgin aspect, she was likely originally a triple goddess: the Moon Goddess as Maiden (the virgin), Mother (who oversaw the orgiastic cult at Ephesus), and Crone (who brought death with her arrows and brought in new life with her midwifery).

§§ To further contemplate the Triple Goddess, see also: "The Trinity"

____________________________

DEMETER
(Ceres)
........................................................... Greek/Roman

.......Demeter/Ceres, with the title of Goddess of the Grain, is an Earth Goddess who comes to us from our primeval past. Indeed her name may have evolved from Gaia --> Ga --> Da --> DaMater (Earth Mother) --> DeMeter, or the Greek (De=grain) Meter (=Mother). She is the consummate Mother, the most complete manifestation of the Great Goddess in classical Western mythology.
.......The daughter of Cronos (Saturn) and Rhea, she is one of the original twelve Olympians. Although she bears Persephone (Proserpine) by Zeus (Jupiter) and has occasional affairs, she is not associated with any particular man. Known for her generosity, the Barley Mother bestows upon mortals the knowledge of agriculture - the cultivation of fruits and grains, the principles of sowing and reaping, and the disciplines that establish order in civilization. The Romans called her Ceres Legifera, "the Lawgiver", and her priestesses founded the Roman legal system.
.......Her rites coincided with natural cycles. During the October celebration of the Thesmophoria, a Greek fertility festival, women re-enacted the descent of Persephone to the Underworld. When Demeter's daughter Persephone (Proserpine) is abducted by the Lord of the Underworld, the Grain Goddess searches for her in vain. High and low she searches, with maternal persistence. In her depression, she neglects the Earth's crops, and there are no harvests. During this time, her divine radiance disguised by her grief, she is taken in by Celeus and Metanira of Eleusis, where she works as a nurse to their young son Demophoon. Lovingly caring for the baby, she bathes him in the fire of immortality, until Metanira comes upon the scene and screams, breaking the spell. At this point Demeter resumes her true appearance, leaving the household awestruck that they have been harboring a goddess. Demeter commands them to build a temple and altar to her. This they do. When the temple is completed, Demeter retreats into it to mourn her daughter, while the Earth suffers drought and famine. After a retinue of immortals plead with Demeter to no avail, Zeus realizes he must satisfy the Earth Goddess in order to save humanity. He dispatches Hermes (Mercury) to the Underworld to fetch Persephone and manages a compromise: Persephone may dwell with her mother two-thirds of the year but must return to Hades for one third of the year. Persephone's yearly return to Earth, of course, is springtime. Mother and daughter rejoice in their reunion. Trees burst forth in bloom, seeds sprout in the ground.

((( )))

.......The worship of Demeter centers in Eleusis. There she teaches mortals her sacred rites and initiates them into the mysteries of life and death. Since participants were sworn to secrecy, we do not know many details of the actual Eleusinian Mysteries. After seven years of preparation, initiates could undertake the Mystery of Demeter in her temple. It seems that this rite involved drinking a special (trance-inducing?) drink of fermented barley, descent into darkness (as Persephone faced the Underworld) and finding one's own inner light (just as Demeter's life-giving power could sprout grain). It is said that once an initiate passed the Eleusinian Mysteries, they would never again fear death. Perhaps the initiate was able to directly experience the immortality of the eternal soul. According to Sophocles [Triptolemos, fr. 837], "Thrice happy are they of men who looked upon these rites ere they go to Hades house, for they alone have true life."
.......Demeter, viewed as Triple Goddess, becomes the Holy Trinity of Maiden (Kore), Mother (Demeter), and Crone (Hecate). Ceres, in Latin, is likely a cognate of the Greek Core/Kore. Kore is the virginal aspect of Persephone. Together they illustrate the cycles of Nature as well as the fruitfulness of the Earth.
.......Because her worship persisted even into Christian times, Demeter became known as St. Demetra. Legend had it that a wicked Turkish wizard kidnapped her daughter and locked her in a tower. When a young man, in trying to rescue the maiden, is dismembered by the wizard, St. Demetra puts him back together and resurrects him, so that he can free her daughter. The Church never officially recognized St. Demetra but in the Middle Ages did canonize St. Demetrius, a (male) warrior saint.

§§ See also: BAUBO, PERSEPHONE.
§§ To further contemplate the Triple Goddess, see also: "The Trinity"
§§ "Crete and the End of Civilization" describes our experiences at Eleusis

____________________________

GREEN MAN
(John Barleycorn, Jack-in-the-Green,
............................European
Robin Hood, Merlin, Green Knight,
...................................
Herne the Hunter, Cuchullin,
..........................................
Robin Goodfellow, Cernunnos,
..........................................
Green Jack, Gromer Somer Jour,
..........................................
Green Giant)
..........................................

.......Green Man comes to us in so many guises, perhaps because he is closer to a raw archetype than other mythological characters. He is Spirit of the Forest, the intelligence inherent in Nature, the repeating cycles of birth, growth, death, and decay. Most often he is depicted as a tree, or a foliate head. In pre-literate cultures of Northern and Central Europe, he was celebrated on the spring equinox, midsummer, and at harvest time, though his influence was strongest on May Day throughout the Middle Ages. May Day revels included the erecting of the May Pole, the crowning of the May King and May Queen, games, dances, and freer sexual liaisons.
.......In the story of John Barleycorn, the Corn King is killed and plowed into the earth. His three murderers are certain he is dead. With the rains, however, John Barleycorn awakens from his sleep and emerges from the soil as a green sprout. The hero who is killed and resurrected takes a more anthropomorphic form in the myths of Tammuz, Adonis, Attis, Osiris, and Jesus Christ (the latter two meeting death on a tree).
.......During Roman times, the King of the Wood fought to be the worthy consort of Diana, the Goddess of the Animals. Together they protected the forest and its creatures. Similarly in Celtic rites, the old Stag King was killed, so the new Stag King could couple with the High Priestess, to insure the fertility of the land. Green Man is sacrificed, only to appear in a different form, all the time affirming the abundance of Nature. Cernunnos, the Celtic Horned God, is depicted holding a tore (large ring) and a serpent, symbolizing female and male genitalia respectively.
.......Herne the Huntsman, from Saxon lore, is a horned wildman who gallops on horseback through the woods, leading a pack of hounds, to round up the souls of the dead and take them into the Underworld. Here Green Man has the role of psycho-pomp. Like a tree, he lives on Earth but connects the depths (through his roots) with the heavens (through his branches).
.......English and Scottish ballads from the 14th century tell the story of Robin Hood and his band of Merry Men, who would rather live in the wilderness (Sherwood Forest) than in civilization. In response to the oppression of the Christian Church (in the form of the Abbey of St. Mary's) and Norman overlords (in the person of the Sheriff of Nottingham), Robin Hood, a trickster aspect of Green Man, champions the common people by stealing from the Abbot and outwitting the Sheriff. Robin and his sidekick Little John win the Sheriff's archery contest, and Robin also succeeds in wooing his May Queen, Maid Marian.

((( )))

.......Green Man is enjoying a resurgence in Europe now, at a time when world deforestation and ecological threats have reached unprecedented heights. Green Man is a positive male archetype exemplifying the power and wisdom of Nature.

_____________________________

Excerpted from The Pillow Book of Venus and Her Lover - Reinventing the Myth by Becca Tzigany and James Bertrand
© 2004 Copyrighted material

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